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AMISH BUTCHER AQUATINT PRINT: Pencil Signed Kiehl & Xtian Newswanger, Vintage C. 1950s Lancaster, Pennsylvania

AMISH BUTCHER AQUATINT PRINT: Pencil Signed Kiehl & Xtian Newswanger, Vintage C. 1950s Lancaster, Pennsylvania

Winning Bid
$15.00
Item #1412768
Lot #65 of 194
Item Description

This signed and numbered 25/25, black and white aquatint of an Amish man, was quite the limited run. Only 25 were printed! It pictures a hard working bearded butcher, sawing through bone and meat. A cleaver is hanging on the wall behind him. Another copy of this same print is currently being sold by "Lancaster Art Collectors" for $550.


Vernon Kiehl Newswanger was an Amish painter who came from the Leola area of Lancaster County, Pennsylvania where his family had lived and worked since the 1700s.  He was born in 1900 and died in 1980. His art career began as an American Modernist, and he painted in Europe, with a long stop in Paris, in the 1920s.  He favored Cubism at the time. His wife Myra Butterworth Newswanger of Philadelphia, was also a painter, as would be their son, Christian, also known as Xtian, Newswanger.

After Newswangers traveling the world painting, Vernon and Christian returned to the Lancaster area, where their work focused on the Amish. Their artwork of Amish subjects provided a rare everyday look at the "plain life" in the first half of the twentieth century. 

The late father and son duo, Vernon "Kiehl" Newswanger and Christian "Xtian" Newswanger also wrote and illustrated a 1954 book, Amishland, that was positively reviewed by The New York Times. Their artwork and writings documented the everyday lives of the Amish, dating back to 1920.

We hope you enjoy this article from "Lancaster Online", written by Laura Knowles, Correspondent, on February 10, 2011:

"'Plain Life, as Seen by a Complicated Artist'

Xtian Newswanger, one of Lancaster best-known artists, was humorous and serious, fascinated by the Amish and by circus performers and a highly creative man who just happened to be a Fulbright scholar.

Jeri Scott of D & J Scott Galleries knows these things first-hand.

She was a close friend of both Newswanger and his companion, Dorothy Freyer. Newswanger came to the gallery often, driven there by Freyer. After his death in 2005, a selection of his works was available at the gallery.

Last week, D & J Scott Galleries opened an exhibition of about a dozen works by Newswanger. The exhibition will run through Feb. 28, providing area art collectors a rare opportunity to view and purchase works by the notable artist.

Among the works available for sale are a set of original aquatints, including hand-colored pieces showing the Amish at work in the fields, the progression of the seasons, and Amish children and adults. As Scott explained, she once had many more Newswanger works, but most were purchased by art collectors.

'This is an opportunity to see the work of a multifaceted artist who was one of the first to paint the Amish,' says Scott. 'But there is much more to him than that.'

Scott recalls the years when Freyer, who used a walker herself, would drive Newswanger to his appointments. He was always interesting to talk to and Scott was intrigued by all of his experiences.

He was the son of artists, so his fate was sealed early on. His father was Vernon Kiehl Newswanger, who was born in Lancaster County in 1900 and died at age 80 in 1980. The Newswanger family dates back to the 1700s. His mother was Myra Butterworth of Philadelphia, an accomplished artist whose style has been compared to Mary Cassatt.

Their son, Christian, was born in 1927 and lived until the age of 78. Throughout his lifetime, Newswanger, who shortened his name to Xtian, as in Xmas with the X meaning 'Christ," often signed his work with a large Xtian.

'I think a lot of people wondered what the X meant,' says Scott. 'It was his way of being a little different.'

And he was.

Growing up in Lancaster County, he observed the Amish farmers as they worked the fields, hung out their quilts on wash lines, did their farm chores and went to market.

As a youth, Newswanger turned down scholarships to Yale University and the University of Pennsylvania to study art with his father, a professor at Franklin & Marshall College.

Later, the younger Newswanger received a prestigious Fulbright scholarship to study at the National Art Academy in Dusseldorf, Germany. He also studied pottery with one of the last of the old-time potters in Maryland.

The father and son both did many paintings of the Amish and did a collaborative book in 1954, which was called 'Amishland.' The in-depth study of Amish life features the Newswangers' drawings of the Amish and Mennonites of Lancaster County.

In a 1955 book review, B.A. Botkin of the New York Times wrote, 'This unique combination of sketchbook and notebook by two dedicated Pennsylvania German artists, Kiehl Newswanger and his son, Christian, is one of the most original and authentic works to come out of the folk life of the plain people.'

The Newswangers may have been known for their drawings of the Amish, but they had many other interests, occasionally doing some cubist-inspired works and abstracts.

Like Lancaster's famed artist Charles Demuth, the Newswangers were intrigued by performers. The father and son enjoyed watching the acrobats and animal trainers when the circus came to town each summer. In fact, some of Newswanger's circus performers resemble some of the theater and vaudeville paintings that Demuth did during his career. As Scott noted, they even spent several years traveling with the Ringling Bros. and Barnum & Bailey Circus to research their art.

'Knowing Christian as well as I did, I am very pleased to be able to share his work with the people who may not have seen it before,' says Scott.

Newswanger and Freyer were constant companions, recalls Scott. After he died in 2005, Freyer died just three months later. For a time his work was stashed away and this exhibition is a rare opportunity to acquire work done by an artist whose work can be seen at New York's Metropolitan Museum of Art, the Philadelphia Museum of Art and the Corcoran Gallery in Washington, D.C."

Notes: Please view the numerous, detailed photos for an accurate appraisal of this item's condition. This print is unframed.

Condition

Consistent with age and use.

Dimensions

The entire paper itself measures 12 inches by 16 inches. The image area is 7.5 inches by 11.75 inches."

Categories

Fine Art, Works on Paper

Buyer's Premium

18%

Seller Info
Clearing House Estate Sales
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7433
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7433
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Pickup Details
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Private Residence

Oxford, CT 06478

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When to Pickup


Sunday, 2/5, 1:00 pm to 5:00 pm

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