1803 Hand Colored Engraving Of Notch Leaved Passion Flower Plate #651, William Curtiss

Early color engravings of the "notch leaved passionflower" (also known as "Passiflora serratifolia") can be found in botanical prints from the early 19th century, particularly in publications like "The Botanical Register" from England, where they were often depicted as hand-colored copperplate engravings, showcasing the flower's intricate details in vibrant colors like purple, white, and yellow.

Key points about these engravings:
Source: Most likely found in "The Botanical Register" published in the early 1800s.
Technique: Copperplate engraving with hand-coloring.
Color representation: Expect to see the characteristic purple and white petals of the passionflower, with potentially yellow or green elements depending on the artist's interpretation.

Publisher: William Curtiss (11 January 1746 – 7 July 1799)

Title or Name: Notch Leaved Passionflower.
Plate Number: 651
Publication: Botanical Magazine
Date Published: 1803, London
Artist: Sidney Edwards
Sculpture: F. Sansom
Medium: Copperplate Engraving with original hand coloring
Paper: Wove, Watermarked (not always visible on individual smaller cut sheets from larger marked sheets).
Condition: Slight text offsetting, edge where removed from book, otherwise Excellent
Paper Size: 9-1/4″ x 5-1/2″ Plate Mark: 7-3/4″ x 4-1/2″

Ready for mounting and framing. Good condition with some slight wrinkling but colors are vibrant.

Reference: 208-001-AG
Estimate: $30-$40
Weight: 10 ounces packaged
Measurements: 8.75 by 5.375 by 0.01 inches.
Shipping within US: $7.50, outside US, contact us for a quote.
(From Wikipedia)
William Curtis (11 January 1746 – 7 July 1799) was an English botanist and entomologist, who was born at Alton, Hampshire, site of the Curtis Museum.
Curtis began as an apothecary, before turning his attention to botany and other natural history. The publications he prepared reached a wider audience than early works on the subject had intended.[1] At the age of 25 he produced Instructions for collecting and preserving insects; particularly moths and butterflies.[2]
Curtis was demonstrator of plants and Praefectus Horti at the Chelsea Physic Garden from 1771 to 1777. He established his own London Botanic Garden at Lambeth in 1779, moving to Brompton in 1789. He published Flora Londinensis (6 volumes, 1777–1798), a pioneering work in that it devoted itself to urban nature. Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and Sydenham Edwards. (William Kilburn is often erroneously cited as having contributed plates to Curtis's Botanical Magazine. Though he did provide illustrations to Flora Londinensis, his association with Curtis seems to have ended by 1777, 10 years before the first publication of the Botanical Magazine)[3]
Curtis was to gain wealth from the ventures into publishing, short sales on Londinensis were offset by over 3,000 copies of the magazine. Curtis said they had each brought 'pudding or praise'.
Curtis might be the editor of an exsiccata-like series Hortus siccus gramineus, followed up by the series Hortus siccus gramineus or a collection of dried specimens of British grasses with their Latin and English names... (1802-1806), distributed by William Salisbury.[4]
The genus Curtisia is named in his honour. His publication was continued as the esteemed botanical publication, Curtis's Botanical Magazine. The noted natural history illustrators, James Sowerby and Sydenham Edwards both found a start with the eminent magazine.
He was buried in the churchyard at St. Mary's Church, Battersea at a location he chose himself, where he is commemorated in a stained glass window, as many of his samples were collected from the churchyard there.[5] His headstone, now only partially remaining, had the epitaph:
While living herbs shall spring profusely wild,
Or gardens cherish all that's blithe and gay,
So long thy works shall please, dear Nature's child,
So long thy mem'ry suffer no decay.[6]
The epitaph, although lost from the grave, is included in the stained-glass window by John Hayward. The window design includes a chaplet of flowers from Curtiss's Flora Londinensis.

The commemorative stained-glass window by John Hayward at St Mary's, Battersea
This botanist is denoted by the author abbreviation Curtis when citing a botanical name.[7]
References
1. ^ "William Curtis". Herbals and insects. University of Massachusetts. Retrieved 1 September 2007. The scope of natural history changed dramatically in 18th century England under the influence of published works directed at amateurs.
2. ^ Instructions for collecting and preserving insects; particularly moths and butterflies. Illustrated with a copperplate, on which the nets, and other apparatus necessary for that purpose are delineated… London: Printed by the author, and sold by George Pearch, 1771. iv, 90 p. fold. plate, 22 cm
3. ^ Nelson, E. Charles. "William Kilburn's Calico Patterns, Copyright and Curtis's Botanical Magazine." Curtis's Botanical Magazine 25, no. 4 (2008): 361.
4. ^ "Hortus siccus gramineus: IndExs ExsiccataID=1183563008". IndExs – Index of Exsiccatae. Botanische Staatssammlung München. Retrieved 20 July 2024.
5. ^ "St. Mary's Church Parish website". St Mary's Modern Stained Glass
6. ^ Curtis, Samuel (1828). "Memoirs of the Life and Writings of the late Mr. William Curtis". Curtis's Botanical Magazine. Index 1-53: v–xxxii – via Google Books.
7. ^ Brummitt, R. K.; C. E. Powell (1992). Authors of Plant Names. Royal Botanic Gardens, Kew. ISBN 1-84246-085-4.

Notes: First Edition, Print hand colored, 19th century print, engraving hand colored, engraving, floral engraving, flowers

$30 - $40

8.75" x 0.01" x 5.375"

Fine Art, Works on Paper

20%

Richard Gabriel | (781) 883-6639 | gabriel@calixbooks.com

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